stchadsprojects@gmail.com
@stchadsprojects
GRIM GRIME GRIMER
Bora Akincitürk
Otto Byström
PV 2.6.2023 6 PM - 9 PM
Open by appointment 3.6 - 24.6.2023
SURFING THE HELL REALM
Laurence Owen
with contributing artists
Alfred Boman
Beth Frey
India Nielsen
Kenneth Winterschladen
PV 15.4.2023 6 PM - 9 PM
Open by appointment 16.3 - 6.5.2023
SURFING THE HELL REALM
ZINE
• Alfred Boman
• Beth Frey
• Daniele Bolelli
• Eden McDowell
• India Nielsen
• Kenneth Winterschladen
• Korallia Stergides
• Laurence Owen
• Mickey Smith
• Mike Lay
• Timothy Morton
• Tom Hardwick-Allan
• Travis Jeppesen
• Ziggy Grudzinskas
Risk 5.0
204 x 110.5 x 18.5 cm, foam, epoxy, plaster, rice paper print, stickers, vent, hermit crab shell, ceramic beads, spray paint, polyurethane paint, varnish, rope, plastic hooks.
2023
Search Engine (with prints by Beth Frey)
200 x 115 x 35 cm, foam, plaster, jesmonite, rice paper print, rope, ceramic beads, spray paint, polyurethane varnish, acrylic paint, steel rods, wood.
2023
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39.6012•N, 9.0701•W (with a painting by Kenneth Winterschladen)
200 x 118 x 22 cm, foam, plaster, hooks, rope, plastic, rubber, ceramic beads, spray paint, lacquer, polyurethane varnish, oil paint and pencil on board.
2023
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Gnarly Lettuce (with a painting by Alfred Boman)
63 x 398 x 254 cm, foam, plaster, spray paint, wood, polyurethane paint, lacquer varnish, grip pads, hooks, rope, oil and acrylic on greyboard.
2023
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Surfing the Hell Realm (with a print by Beth Frey and a painting by India Nielsen)
135 x 138 x 14 cm, foam, plaster, nylon strap, QR code, epoxy putty, spray paint, lacquer, utilitarian hooks.
2023
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THAW
Estefanía B Flores
Joey Holder
Julie Maurin
PV 17.3.2023 6 PM - 9 PM
Open by appointment 18.3 - 11.4
Julie Maurin Just get through the goddamn day / One damn foot after another
Up-cycled crocs, polyurethane foam, spray-paint, epoxy resin, tin, human hair, electronic cable, rings
2023
Joey Holder
The Evolution of the Spermalege
SLS prints, spray paint
2014-ongoing
Estefanía B Flores
Garura, wings of resonant life [winged beast / fusion / effect]
Steel, latex, wood, resin, pigments, pewter, wire, spray paint
2023
Julie Maurin
They tear your heart out / There is a terrifying beauty to it all
Polyurethane foam, 1kg of dry worms, paint, pearls, roses, teeth
2023
Julie Maurin
F(e)ather
Drawing preserved in epoxy resin, heron foot, stickers, silicone, dried scorpio, car-paint
2023
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Joey Holder
The Evolution of the Spermalege
SLS prints, spray paint
2014-ongoing
Julie Maurin
Spice Story
Found ceramics, pickles expired since 2009, plastic toy, wooden object, silicone, necklace
2023
"Goody-Goody"
Lumpsome
Dominic Watson
PV 18.02.2023 6 PM - 9 PM
Open by appointment 19.02 - 11.3
"Goody-Goody" Lumpsome
Paper clay, Water pump, Filing Cabinets, Ceramic Tiles, Portland Toilet, Beige Woollen Jacket.
Dimensions Variable
2023
”Goody-Goody” Lumpsome
Glancing across the shop floor, his fingers were distorted by the curvature of the thick glass they crept behind. Like well-fed sausages. He calmly withdrew his hand from the jar, taking with it a dusty pink strawberry bon bon. His fingers could barely form a fist around the sugared toffee. The hand paused from its withdrawal, resting motionless mid-air. It's at this moment I realised that the tepid little child had been looking at me. I was so engrossed in his embezzlement I hadn’t noticed. Our eyes met. Without blinking he raised the fist to his mouth, herding the piece of candy with an open palm into his tiny little gob. Mouth half open he bit down on the hard toffee. An act that showed a complete disregard for the nature of the candy. Led by his mother he moved towards me, circling the perimeter of the shop, stopping by the cashier next to where I was standing. His 3’4” commanded far more attention than it deserved. I’m almost certain he still hadn’t blinked. I watched as the boy slowly pushed the half-chewed confectionary to the front of his mouth, parading it like a hapless victim. He tilted his head forward until the sodden candy teetered on the edge of his bottom lip. His eyes still holding my gaze, he let the salmony globule fall to earth. It glided to the floor like Halley’s comet, followed by a tail of saliva. It lay at my feet in a puddle of congealed pink sugary spittle. Never has such a sweet tasting thing signified such a feeling of contempt within me.
Dominic Watson
Da Busch
Ernst Jandl
Haoqiao Jiang
Benjamin Cosmo Westoby
PV 19.11.2022 6 PM - 9 PM
Open by appointment 20.11 - 19.12
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Haoqiao Jiang
304 Stainless steel six divided section compartment plate breakfast lunch dinner food serving container partition tray for school canteen company home daily use
Stainless steel, 150 x 115 cm, 2022
Stainless steel, 110 x 110 cm, 2022
Stainless steel, 100 x 85 cm, 2022
Benjamin Cosmo Westoby
A World of Echoes, walnut, birch, acrylic paint, 30 x 87.6 x 2.4 cm, 2022
Axolotl, walnut, birch, acrylic paint, 73.2 x 25.2 x 2.4 cm, 2021
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Benjamin Cosmo Westoby
Axolotl, walnut, birch, acrylic paint, 73.2 x 25.2 x 2.4 cm, 2021
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Haoqiao Jiang
304 Stainless steel six divided section compartment plate breakfast lunch dinner food serving container partition tray for school canteen company home daily use
Stainless steel, 110 x 110 cm, 2022
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Benjamin Cosmo Westoby
A World of Echoes, walnut, birch, acrylic paint, 30 x 87.6 x 2.4 cm, 2022
Axolotl, walnut, birch, acrylic paint, 73.2 x 25.2 x 2.4 cm, 2021
Ernst Jandl
da busch, 1957
c——————————h, 1964
schmerz durch reibung, 1964
TAKE THE DAY OUT IN BASKETS
Rachel Allen
Edmond Brooks-Beckman
Tom Bull
Ben Westley Clarke
PV 17.09.2022 5 PM - 9 PM
Open by appointment 18.9 - 16.10
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Tom Bull, Ask the Fellows who Cut the Hay, 2022, Playhouse, Bitumen, Foam, Straw, Plaster, Wood and Bothy, 2022, Playhouse, Clay, Straw, Stone, Soil, PVA, Steel Stove, Log Burner
Edmond Brooks-Beckman Empathic Proximities, 2022, Mixed Media On Canvas, 120 x 135 cm, 69 x 85 cm And 69 x 85 cm
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Edmond Brooks-Beckman Empathic Proximities, 2022, Mixed Media On Canvas, 120 x 135 cm, 69 x 85 cm And 69 x 85 cm
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Tom Bull, Ask the Fellows who Cut the Hay, 2022, Playhouse, Bitumen, Foam, Straw, Plaster, Wood
Bothy, 2022, Playhouse, Clay, Straw, Stone, Soil, PVA, Steel Stove, Log Burner
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Tom Bull, 2022, Steel Stove, Log Burner
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Tom Bull, Ask the Fellows who Cut the Hay, 2022, Playhouse, Bitumen, Foam, Straw, Plaster, Wood
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Ben Westley Clarke, Cordoba 1919, Etching And Ink On Paper. 28 x 19 cm
Caravan Window (Last Goodbye) Etching And Ink On Paper. 28 x 19 cm
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Ben Westley Clarke, Take The Day Out In Baskets, 2022, Oil on canvas, 40 x 50 cm
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Edmond Brooks-Beckman Tefillin, 2022, Mixed Media on Canvas 69 x 85 cm
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Ben Westley Clarke, Black River Child, Etching And Ink On Paper. 28 x 19 cm
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Rachael Allen,
Frog in a box
Living at the end of the country means filling up slowly with zilch
Robin bloody with the chest of its victims
I am praying towards the Artex in the old and empty room
Take the day out in baskets
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Anna Ilsley, Strangers In The Night, 2018, Oil on Board, 13 x 18 cm
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Benjamin Orlow, Untitled, 2022, Stoneware, Terracotta and Flocked Wood, h 44 cm x w 28 cm x d 40 cm
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Benjamin Orlow, Untitled, 2022, Stoneware and Flocked Wood, h 44 cm x w 28 cm x d 40 cm
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Anna Ilsley, Walker, 2022, Oil on Canvas, 100 x 130 cm
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Haroun Hayward, ICEBERG (Krakatoa Offkeys), 2019, Oil Paint, Oil Pastel, Acrylic, Gesso, Plywood Panel, Wooden Frame, 51 x 41 cm
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Haroun Hayward, Nightdrive Through Babylon (Sun Setting Between Hills), 2021, Oil Paint, Oil Stick, Oil Pastel, Gesso on Wooden Panel, 94 x 63.4 cm
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Simon Foxall, from left to right:
Too Late To Stay, 2021, Oil on Canvas, 45 x 35 cm
Together Forever 1, 2021, Oil on Canvas, 45 x 35 cm
Two Wind Turbines, 2021, Oil on Canvas, 45 x 35 cm
Night Officer, 2021, Oil on Canvas, 45 x 35 cm
Beautiful, But It Helps 2022, Oil on Canvas, 45 x 35 cm
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Benjamin Orlow, Untitled, 2022, Stoneware and Flocked Wood, h 40 cm x w 28 cm x d 18 cm and h 40 cm x w 50 cm x d 23 cm
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Benjamin Orlow, Untitled, 2021, Stoneware, wood and terracotta, Dimensions variable
Anna Ilsley, Beacon, 2021, Oil on Board, 42 x 30 cm
Crab Bisque
Simon Foxall
Haroun Hayward
Anna Ilsley
Benjamin Orlow
PV 12.3.2022 2PM - 8 PM
Open weekends by appointment 13.3 - 3.4
Photography by Ben Westoby
(Apart from image 8, 23 and 24)
stchadsprojects@gmail.com